Theater.

DIRECTOR // PLAYWRIGHT // LIGHTING DESIGNER

  • TABLE FOR TWO

    The play revolves around two roommates navigating their differences in perspectives and ways of life when it comes to dating, then one roommate decides to disguise herself and go on a date with the other roommate. Will they reach common ground?

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  • My Artist Statement

    “My intention behind writing Table For Two was to bring awareness to the issue of the fetishization of black people, specifically black men. As someone who has been fetishized in the past I was able to draw from my personal experiences and use them to create my characters and this super bizarre situation between the two characters. This topic can sometimes be super heavy and I wanted to acknowledge the issue while also making people laugh as comedy can help an audience understand a situation that has happened and can be real for many black men.” - Malkia Duncan

ASSISTANT DIRECTOR

  • WE WON'T PAY! WE WONT PAY!

    Directed by: Xiomara Cornejo

    USF proudly presents Dario Fo’s comedy of hunger—a hilarious, thought-provoking farce about capitalism and the struggles of the working class. With slapstick, Commedia dell’Arte, and circus traditions honoring icons like Chaplin and Lucille Ball, this raucous night of buffoonery and consciousness will have you laughing and thinking in equal measure!

  • THE BALD SOPRANO

    Directed by: Florentina Mocanu-Schendel

    USF’s The Bald Soprano is as wacky, wild, and weird as theater gets. Featuring absurd characters, hilarious moments, and the existential dread you didn’t know you needed, this comedy is a curious tale almost unbelievable—seriously, bring everyone you know!

  • THE CAMP

    Directed by: Roberto Varea

    An accountant arrives for his first day of work at a summer camp—only to discover that his well-paid new job is nothing like he expected. The Camp, an absurdist grotesco by one of Latin America’s most celebrated playwrights, is a cautionary tale about the dangers of delayed resistance to authoritarianism by those “caught in the middle.” First staged at USF in 2000, this timely revival is part of PASJ’s 25th anniversary season.